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José-Ricardo Presman's "The Ultimate Goal of Art and Artists" an Artist Talk

José-Ricardo Presman's "The Ultimate Goal of Art and Artists" an Artist Talk

José-Ricardo Presman's "The Ultimate Goal of Art and Artists" Presented on Saturday, June 23, 2018 at 4PM at Amos Eno Gallery In...

Into the Weeds: A Sheer Delight!

Into the Weeds: A Sheer Delight!

Last month, Amos Eno Gallery hosted an evening of performances emceed by Ari Richter. What follows are photos of the various performers...

Wouldn’t You Know?: Notes on "Favorite Thing"

Wouldn’t You Know?: Notes on "Favorite Thing"

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Recent Posts

"Up, at the moon" choreographed by Michelle Thompson Ulerich & performed at Amos Eno Gallery

Wouldn’t You Know?: Notes on "Favorite Thing"

Toward Self Re-Creation: Aaron Wilder’s New Alphabet

Realities: Artists in Hyper/Reality and Sur/Reality Open Up About Working in the Studio

'Carrying Memory': Irja Bodén in conversation for "Fractured Light"

Interview with José-Ricardo Presman: How did we get here?

Studio Shots

Cannibal Metaphysics reading group

Artist Interview with Mimi Oritsky

Anti-Oedipus reading group

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