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VOLT: An Electroacoustic Percussion Concert

VOLT: An Electroacoustic Percussion Concert

VOLT: An Electroacoustic Percussion Concert

Percussion Electronics John Luther Adams String Quartet Tristan Perich Bushwick Come to Amos Eno Gallery to enjoy some great...

Wouldn’t You Know?: Notes on "Favorite Thing"

Wouldn’t You Know?: Notes on "Favorite Thing"

Wouldn’t You Know?: Notes on "Favorite Thing"

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Recent Posts

"Up, at the moon" choreographed by Michelle Thompson Ulerich & performed at Amos Eno Gallery

Wouldn’t You Know?: Notes on "Favorite Thing"

Toward Self Re-Creation: Aaron Wilder’s New Alphabet

Realities: Artists in Hyper/Reality and Sur/Reality Open Up About Working in the Studio

'Carrying Memory': Irja Bodén in conversation for "Fractured Light"

Interview with José-Ricardo Presman: How did we get here?

Studio Shots

Cannibal Metaphysics reading group

Artist Interview with Mimi Oritsky

Anti-Oedipus reading group

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